Tartalmi kivonat
					
					Source: http://www.doksinet  Basics of Acoustics   Source: http://www.doksinet  Agenda .  Basics Acoustics Theory Acoustic Hardware: Microphones Analysis and Processing Siemens Solutions  Unrestricted  Siemens AG 2019 Page 2  2019.0130  Siemens PLM Software   Source: http://www.doksinet  .  Agenda Basics Acoustics Theory Acoustic Hardware: Microphones  Analysis and Processing Siemens Solutions  Unrestricted  Siemens AG 2019 Page 3  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Basics Acoustics Theory What is sound? Sound is a pressure fluctuation which propagate through gases, liquids or solids.  • A vibrating surface moves the particles of the medium. • When a sound wave acts upon a particle, that particle is temporarily disturbed from its rest position. • The particles transfer momentum from one particle to another. • Areas of compressions and rarefactions travel through the medium with a Speed of Sound. Unrestricted  Siemens AG 2019 Page 5  2019.0130 
Siemens PLM Software   Source: http://www.doksinet  Basics Acoustics Theory Speed of sound The speed of sound determines how fast the compressions and rarefactions travel through the medium. It depends on the physical properties of the elastic medium. It’s dependent of:   Medium (gaseous/liquid/solid)  Medium  Temp [⁰C]  Speed [m/s]  Air  0  331  Air  20  343  Ethanol  20  1162  Water  20  1482  Steel  -  5960  ������ > ������� > ��������   Temperature  � � = � ℃ + 273.1  c = 20.05 ∙ �[�]  Unrestricted  Siemens AG 2019 Page 6  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Basics Acoustics Theory Frequency of sine waves • The period T [s] is the time of one complete sinusoidal, vibrational cycle.  Period T [s]  • The frequency f [Hz] is the reciprocal of the period: 1 �= �  • Frequency range of human hearing is between 20Hz and 20,000 Hz (20kHz) • Frequencies lower than 20 Hz are
perceived as vibrations, frequencies above 20,000 Hz are referred to as ultrasonic.  freq  Play me  125 Hz  250 Hz  500 Hz  1000 Hz  3500 Hz  5000 Hz Unrestricted  Siemens AG 2019 Page 7  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Basics Acoustics Theory Wavelength λ • The wavelength  [m] is defined as the distance a pure-tone wave travels during a full period.  •  is significant in a number of phenomena such as absorption and diffraction.  Frequency  Wavelength  10Hz  34m  34Hz  10m  •  is related to the frequency f and the speed of sound c through:  340Hz  1m  3400Hz  10cm  � =�∙� =  � �  Why bother about ? It’s often important when thinking about boundary conditions - a 20Hz pure tone will not fit in a 5x5m room! Unrestricted  Siemens AG 2019 Page 8  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Basics Acoustics Theory Complex Waves Speech and music waveforms are far more complex than simple sine waves. However,
no matter how complex the waveform is, it can be reduced to sine components 500 Hz  + =  +  1200 Hz  + () =  Unrestricted  Siemens AG 2019 Page 9  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Basics Acoustics Theory How is sound measured? Sound is measured as pressure fluctuations. • The magnitude of pressure fluctuations is very small, generally in the range from 0.00002 Pa (20 μPa) to 20 Pa as compared with the atmospheric pressure of 100 kPa. • The brain does not respond to the instantaneous pressure, it behaves like an integrator. Therefore, the RMS (Root Mean Square) sound pressure level has been introduced. Linear time-averaging �=  � 1 ∙ �2 � �� � 0  Special case: RMS pressure of a pure tone  �=  � 2  = 0.707 ∙ �  Unrestricted  Siemens AG 2019 Page 10  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Basics Acoustics Theory Decibel scale • The Bel scale is a logarithmic way of describing a ratio. It represents the
measured level as a ratio of what you hear to the typical threshold of perception of an average human. Decibel, or dB, is 1/10th of a Bel • The Sound Pressure Level SPL (dB) is defined as:  Jet takeoff Rock concert  ��� = 20 ∙ log10  � ����  = 10 ∙ log10  �2 �2 ���  Niagara Falls  reference pressure pref = 2.10-5 (20 μPa) is minimum audible pressure at 1000 Hz Conversation  • SPL = 0 dB = 0.00002 Pa is the threshold of hearing • SPL = 94 dB = 1Pa • SPL = 120 dB = 20 Pa is the threshold of pain.  Soft whisper Breathing  • Symbol used for SPL (e.g in displays): L, L(dB), L dB Unrestricted  Siemens AG 2019 Page 11  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Basics Acoustics Theory Decibel scale - Sample sound levels  Painful  Jet Taking Off  Very Noisy  Heavy Truck  Noisy  Inside Compact Car  Moderate  Average Classroom  Quiet  Bedroom at Night  Barely Audible  Soft Whisper  “The sound measured today in the office was around
84500 μPa”  Unrestricted  Siemens AG 2019 Page 12  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Basics Acoustics Theory How do we hear? • Sound waves travel into the ear canal until they reach the eardrum.  • The eardrum passes the vibrations through the middle ear bones or ossicles into the inner ear. • The inner ear is shaped like a snail and is also called the cochlea. Inside the cochlea, there are thousands of tiny hair cells.  (eardrum)  • Hair cells change the vibrations into electrical signals that are sent to the brain through the hearing nerve. Unrestricted  Siemens AG 2019 Page 13  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Human hearing system  Acoustic Wave  Vibration  Electric signals  Sensation of hearing  Unrestricted  Siemens AG 2019 Page 14  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Basics Acoustics Theory Human audible Range L dB  PAIN THRESHOLD  130 120 110  HEARING DOMAIN  100 90 80  MUSIC  70 60
50  SPEECH  40 30 20  10 0  HEARING THRESHOLD 20 Hz  50  100  200  500  1k  2k  5k  10 k 20 kHz  Unrestricted  Siemens AG 2019 Page 16  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Basics Acoustics Theory Interference What if we have more than 1 sound source? • Interference occurs when sounds from two or more sources come together.  +  =  Destructive interference  Constructive interference  • It refers primarily to combination effects associated with sound waves of the same frequency.  +  =  Unrestricted  Siemens AG 2019 Page 17  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Basics Acoustics Theory Summing SPL – coherent sinusoidal sources  94 dB (1 Pa) at 1000 Hz  + 94 dB (1 Pa) at 1000 Hz*  = 100 dB (2 Pa) Overall Unrestricted  Siemens AG 2019 Page 18  2019.0130  * in phase!  Siemens PLM Software   Source: http://www.doksinet  Basics Acoustics Theory Summing SPL - incoherent sinusoidal sources  94 dB (1 Pa) at 1000 Hz  + 94 dB (1 Pa) at 2000
Hz = 97 dB (1.42 Pa) Overall Unrestricted  Siemens AG 2019 Page 19  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Basics Acoustics Theory Summing SPL - incoherent random sources  94 dB Overall Level + 94 dB Overall Level = 97 dB Overall Level Unrestricted  Siemens AG 2019 Page 20  2019.0130  20 copyright LMS International - 2010  Siemens PLM Software   Source: http://www.doksinet  Basics Acoustics Theory Sound Fields Location at which we measure has an important role in understanding the obtained results.  • On a distance from the sound source that is smaller than the wavelength of the highest frequency of interest.  • Source can be considered as a point source.  • Significant variations in SPL with distance to source.  • Consists of two parts: free field and reverberant field.  Unrestricted  Siemens AG 2019 Page 21  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Basics Acoustics Theory Sound Fields - Diffuse field vs. free field  - microphone
Mic  Sound Source  Sound Source  Sound Source  Diffuse Field Uniform sound field regardless of microphone position  Free Field Sound propagates without reflection, sound level decreases with distance  Unrestricted  Siemens AG 2019 Page 22  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Basics Acoustics Theory Sound Fields - Near field vs. far field    Near Field   Close to source    Circulating & Propagating    No predictable relationship between distance and pressure    Far Field Far from source, source appears as point source  Plane wave approximation  Linear relationship between Lp & distance   Unrestricted  Siemens AG 2019 Page 23  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Basics Acoustics Theory Sound reflection Incident sound wave on a surface: (a) part of it is reflected, (b) part is absorbed and (c) part is transmitted: incident energy  absorbing material reflected energy  transmitted energy  The amount of
reflection is dependent upon the dissimilarity of the two media (e.g medium 1 – air, medium 2 – concrete wall)  Dry speech  Speech in a reverberant room  The listener in a room with a source of sound. First, direct sound reaches the listener, then early reflections and finally late reflections or reverberation. Unrestricted  Siemens AG 2019 Page 24  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Basics Acoustics Theory Anechoic Room • Highly absorbing surfaces • Source radiates as in a free field • Almost no reverberation  To measure: • sound power of source • directivity pattern of radiating source h  The lowest frequency at which an anechoic room can be used depends on the room volume and the depth of the wedges.  Rule of thumb:  λ  ℎ≅ 2  Unrestricted  Siemens AG 2019 Page 25  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Basics Acoustics Theory Semi-anechoic Room • Flat, reflecting floor • Sound-absorptive walls and ceiling •
Optional: chassis dynamometer/ roller bench To test sources that are normally mounted on or operate in the presence of a reflecting surface (e.g cars,)  Typical applications: • Sound Power • TPA • ASQ • In-room Pass-by noise semi-anechoic room with roller bench Unrestricted  Siemens AG 2019 Page 26  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Basics Acoustics Theory Reverberation Room • High-reflecting, non-parallel walls • Diffuse field: nearly uniform sound intensity  To measure: • Sound power of sources • Sound absorptive properties of materials • Sound transmission through building elements  Sound path  Sound Source  To make the room response more uniform at lower frequencies, low-frequency sound absorptive elements and rotating diffusers are often used. At higher frequencies the room has a uniform response. Unrestricted  Siemens AG 2019 Page 27  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Basics Acoustics Theory Refraction
Refraction is the bending of a sound wave due to changes in the medium. In open spaces, the wind field and temperature gradients play an important role. 1) effects of wind:  vwind c2  c1  wind coming from the right  2) temperature gradients: c1 c2  decreasing temperature with height  c2 c1  increasing temperature with height  Unrestricted  Siemens AG 2019 Page 29  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Basics Acoustics Theory Diffraction • Diffraction is the bending of a sound wave around the edges of obstructions (barrier, opening,) in the path of the wave • Bending due to diffraction is highly selective with respect to frequency  effects of diffraction at low frequencies : (a) behind a barrier, (b) through an opening  • Long wavelength, low frequency sounds are less affected by barriers and openings than short wavelength  Example: • Highway barriers fail in reducing low frequency truck noise  effects of diffraction at high frequencies : (a) behind a
barrier, (b) through an opening  Unrestricted  Siemens AG 2019 Page 30  2019.0130  Siemens PLM Software   Source: http://www.doksinet  .  Agenda Basics Acoustics Theory Acoustic Hardware: Microphones  Analysis and Processing Siemens Solutions  Unrestricted  Siemens AG 2019 Page 31  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Acoustic Hardware: Microphones Principle of microphone Condenser microphones operate on a capacitive design and utilize basic transduction principles: sound pressure ↓ capacitance variation ↓ electrical voltage  In the presence of oscillating pressure, the gap between the diaphragm and backplate changes, which changes the capacitance. To measure the change, a voltage is applied to the backplate to form a transducer. The charge applied to the back-plate can be either supplied externally (no Pre-polarization) or from an electret layer on the back-plate (pre-polarization). Unrestricted  Siemens AG 2019 Page 32  2019.0130  Siemens PLM Software  
Source: http://www.doksinet  Acoustic Hardware: Microphones Microphones & preamplifiers, selection criteria  • Microphone is only the top part • The very weak signal is pre-amplified before being sent over a cable to a data acquisition system • There are 3 main criteria which have to be taken into account when selecting a microphone: • Dynamic Range • Frequency Response • Field Response  Unrestricted  Siemens AG 2019 Page 33  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Acoustic Hardware: Microphones Dynamic range Dynamic range - Range between the lowest level and the highest level that the microphone can handle. Large microphone & loose diaphragm  high sensitivity Small microphone & stiff diaphragm  low sensitivity The sensitivity of a microphone is determined by the size of the microphone and the tension of its diaphragm.  High sensitivity  measure very low levels  Low sensitivity  measure very high levels  Unrestricted  Siemens AG 2019 Page
34  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Acoustic Hardware: Microphones Dynamic range  1/8”  ¼” ½”  1”  Unrestricted  Siemens AG 2019 Page 35  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Acoustic Hardware: Microphones Frequency response Frequency response refers to the way a microphone responds to different frequencies.  Ideally, the frequency response should be as flat as possible in the frequency bandwidth of interest.  Unrestricted  Siemens AG 2019 Page 36  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Acoustic Hardware: Microphones Field response There are three response types for precision condenser microphones, which are: Free Field, Pressure, and Random Incidence responses.  Free Field  Pressure  Random Incidence  Their characteristics are similar at lower frequencies, but differ significantly at high frequencies. Unrestricted  Siemens AG 2019 Page 37  2019.0130  Siemens PLM Software   Source:
http://www.doksinet  Acoustic Hardware: Microphones Field response – “free field” type free-field microphone: • minimal (zero) interference with sound field • designed essentially to measure the sound pressure as it existed before placing the mic  • localized, not negligible disturbances of sound field at higher frequencies  Free Field  • accurate when measuring sound pressure levels that radiate from a single direction and source, which is pointed directly (0°incidence angle) at the microphone diaphragm, and operated in an area that minimizes sound reflections (e.g anechoic room). Unrestricted  Siemens AG 2019 Page 38  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Acoustic Hardware: Microphones Field response – ”pressure” type Pressure microphone: • measuring actual sound pressure on the surface of the diaphragm • typical measurement in a closed coupler or at a boundary or wall • microphone as part of the wall and measures the sound pressure
on the wall itself.  Pressure  • sound pressure exerted on walls, exerted on airplane wings, or inside structures such as tubes, housings or cavities.  Unrestricted  Siemens AG 2019 Page 39  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Acoustic Hardware: Microphones Field response – ”random incidence” type Random incidence microphone: • Designed to be omnidirectional and measure sound pressure coming from multiple directions, multiple sources and multiple reflections. • Designed and calibrated by manufacturer to compensate for its own presence in the field. • When taking sound measurements in a reverb chamber, church or in an area with hard, reflective walls, a Random Incidence microphone should be used to accurately measure the sound from multiple sources.  Random Incidence  Unrestricted  Siemens AG 2019 Page 40  2019.0130  Siemens PLM Software   Source: http://www.doksinet  .  Agenda Basics Acoustics Theory Acoustic Hardware: Microphones  Analysis and
Processing Siemens Solutions  Unrestricted  Siemens AG 2019 Page 41  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Analysis & Processing Frequency spectrum It is a property of all real waveforms that they can be made up of a number of sine waves of certain amplitudes and frequencies.  Each sine wave in the time domain is represented by one spectral line in the frequency domain. The conversion of a time signal to the frequency domain (and its inverse) is achieved using the Fourier Transform. The digital computation of the Fourier Transform is called the Discrete Fourier Transform (DFT). A dedicated algorithm to compute the DFT is the Fast Fourier Transform (FFT). Unrestricted  Siemens AG 2019 Page 42  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Human hearing: frequency  The term “octave” is borrowed from music theory •  8 whole tones between notes of the same name  A4: 440 Hz  (standard pitch)  A5: 880 Hz  Unrestricted  Siemens AG 2019 Page
43  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Human hearing: frequency  The term “octave” is borrowed from music theory •  8 whole tones between notes of the same name  A4: 440 Hz  (standard pitch)  A5: 880 Hz  440 Hz Span  A6: 1760 Hz  880 Hz Span  A7: 3520 Hz  1760 Hz Span  Unrestricted  Siemens AG 2019 Page 44  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Analysis & Processing Octaves Octave bands group energy in standardized frequency bands. Reference octave band: 1000 Hz as center frequency is used to calculate the other bands which cover the whole bandwidth. Each next center frequency is the double of the previous one.  Lower cutoff frequency  Center frequency  Upper cutoff frequency  11  16  22  22  31.5  44  44  63  88  88  125  177  177  250  355  355  500  710  710  1000  1420  1420  2000  2840  2840  4000  5680  5680  8000  11360  11360  16000  22720  Unrestricted  Siemens AG 2019 Page 45  2019.0130  Siemens PLM Software  
Source: http://www.doksinet  Analysis & Processing Fractional Octave bands For finer analysis, other octave band types were introduced. • 1/3 octaves – each octave band is divided into 3 separate bands • 1/12 octaves • 1/24 octaves  Pressure dB/2e-005 [Pa]  80 70 60 50 40 30 20 Octaves  16 31.5 Traces: 2/2  63  125 250 500 1000 2000 4000 Frequency [Hz]  Unrestricted  Siemens AG 2019 Page 46  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Analysis & Processing Octave Bands calculations  IEC 61260, ANSI S1.11-2004  There are two ways to calculate the center and boundary frequencies of bands, Base2 and Base 10 method: Base 2 1/1 Octaves Base 10 1/1 Octaves 3� �� = 1000 ∙ 10 10  �� = 1000 ∙ 2�  1 −2 � ����� = 2 ∙ �� 1 � ����� = 22 ∙ ��  3 − � ����� = 10 20 ∙ �� 3 � ����� = 1020 ∙ ��  Base 2 1/3 Octaves  Base 10 1/3 Octaves  � �� = 1000 ∙ 2 3  � �� = 1000
∙ 1010  1 −6 � ����� = 2 ∙ ��  1 −20 � ����� = 10 ∙ ��  1 � ����� = 26 ∙ ��  1 20 � ����� = 10 ∙ ��  ��� � = ⋯ , −2, −1,0,1,2  Unrestricted  Siemens AG 2019 Page 47  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Analysis & Processing A-weighting • Human hearing is not equally sensitive to all frequencies. • Most sensitive between 3000 and 6000Hz.  • 1000Hz pure tone at 40dB = 40Hz at 70dB. • A-weighting is a correction to account for perception: unit label: dB(A)  • dB(A) as a “noise label” for i.e household equipment, environmental noise, tools, etc. • Used for analysis, not for replay! �� [Hz]  63  125  250  500  1000  2000  4000  8000  ���  -26.2  -16.1  -8.6  -3.2  0  +1.2  +1  -1.1  Unrestricted  Siemens AG 2019 Page 48  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Analysis & Processing A-,B-,C-, D- and Z-weighting  •
A-weighting = 40-phone curve Is mostly used • B- and C-weighting = 70- and 100-phone equal loudness contours  SPL (dB)  • Based on Loudness curves: equal perceived loudness, expressed on phones  frequency (Hz)  • D-weighting for aircraft noise: 1-10 kHz region • Z-weighting: no weighting or “linear” weighting Unrestricted  Siemens AG 2019 Page 49  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Analysis & Processing Time weighting Very often what we measure is not stationary - we can calculate a single SPL, but what about transient sounds? Duration of time over which we calculate the SPL starts to play a role. �=  � 1 ∙ �2 � �� � 0  ��� = 20 ∙ log10  �  ����  • Sound level meter & Integrating Sound Level Meter according IEC 61672-1 (class 1) • Sound Pressure Level, A-weighted, Fast (1/8 sec), Slow (1 sec), User defined • Leq: Equivalent Sound Pressure Level Unrestricted  Siemens AG 2019 Page 50  2019.0130 
Siemens PLM Software   Source: http://www.doksinet  Amplitude  Analysis & Processing Equivalent Sound Pressure Level Leq  Equivalent Sound Pressure Level Leq – a widely used noise parameter that calculates a constant level of noise with the same energy content as the varying acoustic noise signal being measured. 70.00  1.00 F F  Overall level - LAeqt Point1 (A) 76.1 dB Overall level - LAeqT Point1 (A) 81.5 dB  Pa dB(A)  Amplitude  47.55  47.55    3600.00 000  40.00  0.00  s Time  3600.00 000 s Time  3600.00  3600.00  LAeqT A-weighted equivalent SPL over time T - first to current tracking point LAeqt A-weighted equivalent SPL over time t - last to current tracking point Unrestricted  Siemens AG 2019 Page 51  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Analysis & Processing Level Calculation Presets  Type  Level integration  Description  Leq, LAeq  Linear  Continuous noise level, A-weight.  LF, LAF  Fast  125ms averaging, A-weighted  LS, LAS  Slow  1s
averaging, A-weighted  LI, LAI  Impulsive  35ms averaging, A-weighted  Unrestricted  Siemens AG 2019 Page 52  2019.0130  Siemens PLM Software   Source: http://www.doksinet  .  Agenda Basics Acoustics Theory Acoustic Hardware: Microphones  Analysis and Processing Siemens Solutions  Unrestricted  Siemens AG 2019 Page 53  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Siemens solutions The 6 boxes of Acoustic Testing Do I meet standards?  Sound Pressure Acoustic Analyzer  What material should I use to reduce the levels? Sound Material & Component Testing  Sound Power Pass-by Noise  Does it sound right? Why is it annoying?  Where is the sound coming from?  What is the root cause? Source? Path?  Sound Quality  Sound Source Localization  TPA Source-PathReceiver  Do I meet quality objectives?  Unrestricted  Siemens AG 2019 Page 54  2019.0130  Siemens PLM Software   Source: http://www.doksinet  Thank you